So that’s it then, no more Black Lagoon for (at a guess) a couple of years. I really loved watching this series; after a hard day at work, when it’s a tough ask to even keep your eyes open let alone watch and read anime, Black Lagoon shone like a bloodied beacon of hope. I knew no matter how tired, or how jaded, I could enjoy watching this.
That’s what Black Lagoon meant to me. It didn’t carry much emotional weight, but it had episode titles like “Guerrillas in the Jungle” and “Rasta Blasta”. There is something so attractive about its zero pretension; it’s somewhat fun to see when a series is so honestly and passionately devoted to just thrilling the viewer from start till finish. It’s fan-service, but in a broader sense (not in the moe – killer loli – panty shot – harem sense) – taking it’s cues from the Schwarzenegger, Stallone and Van Damme era of 1980s action, Black Lagoon was a consistent, balls against the wall action series with little or no regard for human life. It’s great.
If I didn’t know a second season of Black Lagoon was coming, I would feel somewhat deflated by this final episode. Of course- it pays off with the now-expected-during-every-episode kick ass action; in particular, ninja woman throwing around her giant machete on a rope is a high point, but then it just ends. We don’t even get to see Dutch. Hints are made about the second season (American CIA agents talk to Revy as if she has trained with them in the past, the Japanese Guerrilla survives to fight another day), and basically it ends with the feeling of just another episode. So much so I waited for the next episode preview, but alas nothing appeared. My anticipation of the second season starts now.
I love a lot of anime and technically, so much of it is superior to Black Lagoon – but I just know that if I had to choose one anime series, over almost everything else I’ll happily watch Black Lagoon again and again. BOOOOOM! HEAD SHOT!
After the previous couple of unrelenting maid bashing episodes, the eleventh instalment of Black Lagoon was always going to seem a tad watered down in comparison. And so it proves- the penultimate “Lock’n Load Revolution” has more talking than shooting, and is almost entirely aimed at building up an initially convoluted race between an ambitious group of idealistic terrorists, a somewhat traditional (testicle cracking) Chinese triad (in cooperation with the CIA!) and in the middle of it all is of course our Lagoon.
If I have a problem with Black Lagoon it is that the characterisation has taken a vacation. It’s now more like watching Hellsing (though a lot better) – wondering who or what monsters will be facing Revy next. As fun as it is to see some crazy Chinese mafia bloke kick a grenade into a group of hapless grunts, Black Lagoon somewhere along its war path has lost that underlying emotional catharsis and is vainly trying to cover itself with one too many trendy gimmicks. In short, it’s getting a wee bit episodic. Still fun, but lacks a human bite.
There are many ways to settle a score and none better than an old fashioned dust up; I think this qualifies as the first time I’ve ever seen two women literally beat the shit out of each other with their bare knuckles. None of this pulling hair and scratching with their nails nonsense; if Black Lagoon is going to have a face-off between the two toughest women in the world, you better expect more than a few pinches.
So episode 10 marks the end of the “Unstoppable Maid” arc; emotionally it added nothing to the series, but I’ll be damned if I come across another couple of anime episodes this year that look as red hot as this was. While firmly tongue in cheek and more than willing to poke fun at its own absurdity, I love that knowing wink Black Lagoon makes at the viewer. That and the slick homages to any number of classic Hollywood pop-corn movies- this time Terminator 2 being the obvious influence behind Ms. Roberta and her unstoppable quest.
Usually I can’t stand girls-with-guns anime, but Black Lagoon ditches any hint of dainty beauty and replaces it with a big fat “fuck you!”
“You should have paid more attention to Rock’s joke, Benny-Boy.” Quips Dutch, a sweating shadow of his composed former self, having just seconds before been subjected to the vicious blood lust (and impossibly strong arms) of an ass-kicking maid from hell. “Imagine her as an invincible killer robot.”
The set up for this story arc is so simple and yet it works so well. Not since Spike crossed guns with Pierre Le Fou or Rock Lee went kung-fu on Gaara have I been so viscerally thrilled by an episode of anime. The fluidity of movement, the sense of an unstoppable power being unleashed, it’s all here, taken to school with a pumping electronic soundtrack, achingly cool aesthetics and the sheer absurdity of what is rapidly exploding infront of us.
This is all such a great fun because of the realistic ways in which the character’s react to their increasingly insane situations- it’s easy to see that Dutch and his crew are genuinely disturbed by the cute T-1000 (and her massive knife) chasing their moving car down the street, and as a viewer, this powerfully conveys the intense danger in which they find themselves.
Black Lagoon 9 is a jolting visceral experience, the kind of quirky action-packed genius Tarrentino would die to replicate, and as hard as I’ve tried, you can’t do justice to such a buzzing spectacle with mere words alone.
It took me a few weeks to catch onto Black Lagoon, but now I’m fully convinced of its (loud) qualities. I had avoided it up until this weekend because the reviews I’d read gave the impression that it was another typical girls with guns anime. I was wrong and it’s much more than that. I’m sorry for doubting you, Madhouse.
Let’s not get ahead of ourselves though- Black Lagoon is a purely action driven series, but (like Gungrave) rather than simply wallowing in style, the story sprinkles enough compelling character development to really capture the moment. The star of the show is Levi- an absolutely badass mercenary capable of killing her enemies by the dozen. So far, she has shown very little in the way of emotion- preferring instead to swear, get drunk and basically kill anything that moves. Her foil (and opposite lead) is Rock- a Japanese “salaryman” whisked away from the boring world of corporate business. He’s still searching for meaning in his life and opts to become a sailor of the Black Lagoon rather than go back to his boring old life of monotony. Rock is living the epitome of every salaryman’s dream.
The rest of the Lagoon crew are just as likable- particularly captain Dutch, who defines macho cool in very 1980s Schwarzenegger way.
It’s notable just how immoral the story has been up until now. Given this is about modern day ‘pirates’, the action is not so much as case as ‘right’ or ‘wrong’, rather how much Dutch and crew will be paid – there is no respect for human life. The characters are criminals, but remain sympathetic because of their honourable warrior-code and a strong sense of comradery and friendship.
The animation is very physical and kinetic; when combat kicks off, there is a real bite to every bullet, every punch and every torpedo. It’s consistently exciting because the presentation maintains a palpable sense of danger where anything and everything is a possible weapon.