Why you should care about The Tatami Galaxy

I’m totally hyped about seeing the first episode of The Tatami Galaxy (Yojohan Shinwa Taikei). It finally aired this evening in the beloved noitaminA block and is already streaming on Funimation‘s video site, but… I’m region blocked! It’s been a while since I’ve been excited enough about a series to feel as frustrated as this, but, alas, rather than implode, I’ve decided to start writing this post instead! (However, if you’re based in North America, you can stream The Tatami Galaxy for free, like, right now! You guys are so lucky!)

Continue reading “Why you should care about The Tatami Galaxy”

The hyperbole of Mononoke

Having been seduced by its eccentric visual style and the positive word-of-mouth, this past weekend was spent haplessly indulging in seven episodes of Mononoke’s surreal feast. To you, I present these humble findings. Mononoke is good.

“Specter; spirit; ghost. Mononoke is a very old word, now rarely used, that describes spirits who actively haunt or pursue a person or place. Though the spirit need not be evil, it does have somewhat of a dangerous connotation.”

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Though it borders on pretentious, I’ve always wanted to kick-off an article with a word definition. Aside from its traditional Japanese meaning, "Mononoke” is a word synomonous with a certain Hayao Miyazaki blockbuster from 1997; immediately it recalls images of feudal Japan – an era when a fading mother nature was still capable of retaining her sense of mystery and magic. And so begins the 2007 series “Mononoke” with its distinctively Japanese take on supernatural folk-law.

For those who don’t read Wikipedia, “Mononoke” is a spin-off from the self-contained “Bake Neko” segment of 2006’s 11-episode 3-story anthology “Ayakashi”. Though I started watching fansubs of Ayakashi, the prolonged melodramatics and thick cultural references of the first segment (“Yotsuya Kaidan”) wrought such a soul-destroying apathy on my enthusiasm for the series that by the time I was aware of the striking visual style of “Bake Neko”; my fleeting interest in “Ayakashi” had all but expired. Jump forward to July 2007 and “Mononoke” started its run on Japanese TV. Having been seduced by its eccentric visual style and the positive word-of-mouth, this past weekend was spent haplessly indulging in seven episodes of Mononoke’s surreal feast. To you, I present these humble findings. Continue reading “The hyperbole of Mononoke”