For a different perspective on Phantom see bateszi’s review here.
After eight years, three series, six girls, and lots of guns, Bee Train has revolutionized the girls with guns genre by adding… a guy. Men, you too can aspire to be a professional assassin, the last bastion of gender inequality has officially fallen. Joking aside, Phantom: Requiem for the Phantom is a solid effort by Bee Train. Unlike Bee Train’s earlier series Noir and Madlax, Phantom is based on a visual novel. It lacks deep characters but the show was an enjoyable and action packed addition to the girls with guns genre.
Continue reading “Girls with Guns: Men Please Apply Within”
Although I’ve been writing this anime blog for a long time now, over 6 years, in fact, I’m still not sure of the kind of blogger I am. I’m not disciplined enough to write every few days, nor do I enjoy deep analysis of anime. I don’t even really enjoy discussing it to any great lengths. But even still, here I am. This has become my home, and I don’t know why. An anime blog.
Continue reading “Birdland”
Until Fate/Zero appeared, I’d never planned on watching Fate/stay night. At the time of its airing back in 2006, it’d always seemed a tad too pandering for my tastes. I knew nothing about it and was happy to keep it that way, but then, last year, I tried watching Fate/Zero and realised that I wanted to know more about its underlying story, that of the Holy Grail War. I’m a fan of shounen anime, after all, and one of the finer traditions of the genre has always been the tournament arc.
Continue reading “A journey into Fate/stay night begins”
Captain Harlock’s recent availability on Hulu and the release of OZMA highlights the career of Leiji Matsumoto. Matsumoto had a role in seminal 70s and 80s works like Captain Harlock, Starblazers, Galaxy Express 999 and Space Battleship Yamato. With OZMA, Matsumoto returns with a work that harks back to his earlier successes. The series is short (only 6 episodes) and lacks the depth necessary for a proper sci-fi opera, but it’s a trip back to an earlier style. While I enjoyed the show, its importance for anime at large is less about it being a brilliant product and more about it being a prominent example of a new business model. It marks the start of the latest disruptive technical trend to hit the anime industry: cloud sourced anime translation.
Continue reading “Veteran Creator Meets Disruptive Business Model”
I really wanted to like Jormungand. It’s a series about illegal arms dealers and child soldiers, which is not exactly typical fare for anime and sounds interesting. Comparisons to 2006’s fantastic Black Lagoon abound, then, but after 3 episodes, I’m giving up.
I realised I had to stop half-way through episode 3, when child soldier Jonah runs straight at a couple of renowned assassins without cover. Both sides fire at each other from point-blank range, yet manage to miss. Seconds later, the same assassins hit some generic snipers perched on the roof of a building. That’s the kind of thing I expect to see in a Bee Train anime; I could even take it in Black Lagoon, but for Jormungand, it was the final straw.
Continue reading “A missed opportunity: Jormungand”