Posts tagged 'romance'
In alot of ways, what keeps a longer manga engaging isn’t its main characters, but the side characters. Though our initial emotional investments as readers are in the main characters, the supporting cast and their links with those main characters are what keeps the story fresh.
Much has already been written about the first episode of Mawaru Penguindrum, the latest from Kunihiko Ikuhara (he of Revolutionary Girl Utena.) Like most, I really liked this first episode, but I’ve never been one to bother discussing plot details, rather, I just want to talk about art and post some pretty pictures, and like Madoka, Panty & Stocking and The Tatami Galaxy before it, Mawaru Penguindrum is an intricately-drawn feast for the eyes. I just couldn’t help myself.
Watching anime is like connecting the dots of a picture; one leads to another, forever changing the picture’s shape. Some dots are out on their own, but others are connected to everything else, making the overall picture that much clearer in my eyes. One obvious example here is Mobile Suit Gundam, the first real-robot anime, another is Nausicaä of the Valley of the Wind. Anime such as these I’m proud to say I’ve seen, because they forever shape my understanding of the medium today. I realise what I’m doing here is advocating watching anime for educational purposes, which might not seem fun (I mean, this stuff is supposed to be fun, right?), but if a series is as revered today as it was in 1980, I find it’s safe to assume that it’s also pretty good.
In October of 2009, I started watching Revolutionary Girl Utena. One year later, almost to the day, I started watching Star Driver. In my mind, these two are connected. Although Star Driver is a much less serious (and, if truth be told, inferior) series to Utena, there are some obvious similarities. By way of the process described above, then, in April of this year, I also started watching 1979′s The Rose of Versailles. Utena led me forwards to Star Driver, but also backwards, to The Rose of Versailles. Such is the journey of an anime fan.
One of the saddest things about NANA is that its creator Ai Yazawa (who has been fighting against an unspecified illness since 2009) hasn’t been able to finish it. NANA is a story of dreams and ambition, and the characters have struggled too hard and for too long to be left hanging. I hope Yazawa rediscovers her desire to finish it.
If you haven’t done yourself the favour of reading the original Sailor Moon manga, I suggest you drop whatever stigmas or preconceptions you have of the series and find yourself a copy. Naturally, it suffers from the cliches it helped to establish: baddies-of-the-moment, elaborately named attacks, and a penchant for all the bad parts of 80s women’s fashion. Coupled with the toxic sweetness of Mamoru and Usagi’s relationship, if you go in expecting anything less than the crown jewel of the magical girl genre, you’ll be going in horrendously underprepared. That said, the manga has its merits, and Sailor Moon is definitely one of those “read the manga, skip the anime” type affairs. Any fan of really, really well-drawn and well-paced manga should read Sailor Moon.
Watching anime for a long time (I’m talking years, really,) one can fall into certain patterns of viewing. I’ve grown accustomed to knowing what I like, and what I don’t, and picking the anime I watch according to my own tastes. There’s nothing wrong with this, it fundamentally makes sense, but it also leads one to miss out on certain shows that don’t immediately conform to my personal set of ‘requirements’; not every series is as easy to dismiss as I would like to believe (thank god,) therefore, I have devised a cunning plan.
Shoujo fantasy can be the genre of the story-lover, so filled it is with sweeping, emotive images. I can’t help but think that Revolutionary Girl Utena and Princess Tutu could be stripped of their dialogue and remain just as coherent, such is the overflow of feeling trapped within their every frame; every side-long glance, tentative posture and concealed desire.