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Pumpkin Scissors – 1 – Faith in humanity after all

I’m getting worried about the fall anime season; there is too much to watch. Putting aside the immediate favourites like Death Note and Black Lagoon (these two are unmissable in my eyes) the likes of Pumpkin Scissors and D.Gray-man have proved just as fun and action packed, so where does one (desperately trying to be a ‘casual’) anime fan draw the line? Because at this rate I’ll be signing pink papers down at the Akihabara mental asylum by the end of the month!
Paranoid rambling aside, Pumpkin Scissors cut an impressive debut. Set a few short years after a hard fought and debilitating war, civilisation is left in ruin. Law and order is spread thinly, and vicious soldiers turned sadistic bandits roam the land, exploiting the weak without a care in the world. Pumpkin Scissors follows the people willing to stand up and defend what good is left in their world.
Although I’m somewhat at odds with cliche teenage pretty boys and girls posing as our heroes, Pumpkin Scissors is evocatively set within a post-WW European landscape; crumbled buildings, muddy grass and depressed villagers fill the screen with their dank green hue. Running with this realistic tone, the brief skirmishes between soldiers and bandits are notable for their distinctly painful and violent aethetic.
Interactions between the characters are as interesting and natural as you would expect, there are no laugh out loud jokes but man mountain Randel Orlando has a face covered with scars and a chilling, excited look in his eyes when its time to take down a 3-manned tank; he is a bad ass. I’m interested to see how the budding relationship between he and the idealistic female lead (nick named Pumpkin Scissors no doubt due to her cute appearance) develops and whether they survive the mass of human darkness drowning them.