Posts tagged 'horror'
“If it cannot break out of its shell, the chick will die without ever being born. We are the chick-The world is our egg. If we don’t crack the world’s shell, we will die without ever truly being born. Smash the world’s shell. FOR THE REVOLUTION OF THE WORLD!”
–Revolutionary Girl Utena
Shokuzai (Penance) is a story of people dying without ever being born. Exposed to a tragedy at a young age, it’s like they were frozen in time and encased within a shell of adolescence as they grew into adulthood. They were five girls in their school’s playground when one of them was abducted right in front of their eyes and murdered. 15 years later, we return to their lives and find them still struggling to come to terms with what happened. Stunted, empty, cursed; they could never break out of their shells. Thus began the 5 episode series Shokuzai, a 2012 Japanese TV drama directed by the horror maestro Kiyoshi Kurosawa (Cure, Pulse, Tokyo Sonata.)
When I began investigating Japanese film in 2008, Kurosawa fast became a favourite of mine. Like a Japanese Tarkovsky, his style is calm and atmospheric, using background noise and image to convey a strong feeling of alienation and disquiet. If you’ve ever seen anything from the anime directors Ryutaro Nakamura (Serial Experiments Lain, Ghost Hound) or Hiroshi Hamasaki (Texhnolyze, Shigurui,) you’ll know what to expect. Kurosawa’s made a lot of horror, but in a genre renowned for its visceral qualities, his films are unusually meditative and artful nightmares that play with the strange and surreal to emphasise an ugly and desperate reality. When even Martin Scorsese is a fan (the excellent Shutter Island owes a lot to Kurosawa,) you realise this is a filmmaker worthy of note.
This season, I’ve found myself in the fun position of having two of my favourite manga series adapted into anime. We already know how things went with Flowers of Evil, but there’s still the case of Attack on Titan (Shingeki no Kyojin) to consider. Produced at Wit Studio and directed by Tetsurō Araki (of Death Note and Kurozuka, amongst others,) it’s the adaptation I was hoping for back in 2011. So, is it any good? Going by this first episode: hell yes.
Back in 2011, I wrote two posts about the manga series Attack on Titan (Shingeki no Kyojin) and since then, it’s only grown in popularity, and in addition to a live-action movie, now has an anime series starting in April, too. I can’t wait to see how it turns out, but in the meantime, I figured I’d catch up with the latest chapters, and, man, is it still good or what? But there’s something else I have to note too, in that by beginning to explain many of its mysteries, Attack on Titan is shrinking.
Many of us are optimists and like to think there’s an innate sense of goodness within us all, but given a God’s power, how would we react? Shin Sekai Yori (From the New World) answers that question within its first 3 minutes: upon the discovery of psychokinesis, civilisation regresses into a thousand year-long dark age, where Man is subjugated by an immense, supernatural power.
One such power, the Emperor of Great Joy, marks his coronation by burning to death the first 500 people to stop clapping. It’s said they clapped for 3 days and nights.
One of the biggest surprises of the summer season has been Muv-Luv Alternative: Total Eclipse. A name as bad as that is enough to scare away most, but that this is both a mecha anime and a bloody brutal one at that is stranger still. Whether it can live up to the intensity of these first two episodes is another question entirely, but right now, it’s just nice to reflect on a job well massacred! The root cause of it all? Aliens, of course! Earth’s invaded, humanity’s out-matched and Japan’s moe legions are our first line of defence. Would you feel confident?
I’m utterly torn by Sankarea. It has beautiful art direction and some fascinating ideas, but it’s also about as exploitative as anime gets. There’s just so much to like about it though, starting with the girl who became a zombie.
Of course, to become a zombie, one must first die. Sanka commits suicide because her father is a massive creep (and, I would argue, a moe otaku,) so obsessed his daughter’s innocence that he’s stopping her from setting foot in the outside world.
There’s a twisted logic to the metaphors being spun here, where a decaying body and spilt guts is symbolic of a girl’s coming of age. She’s happy to be damaged and sew-up the gaping tear across her stomach if it means being able to live a normal life.
One thing we may deduce about author Mohiro Kitoh from Bokurano and Narutaru is that he probably had a few bad experiences growing up.
It’s otherwise very difficult to understand why his stories about children are quite so fucked-up. Case in post, Narutaru, of which I just finished watching the anime adaptation.