The future of “anime” is bright

Let’s take this Dai Sato discussion for another spin, shall we?

The above image is from the film My Beautiful Girl Mari. It was released in 2001, and is being distributed in the US by ADV films. Moreover, you can stream it for free courtesy of the Anime News Network. It centers around a dream the protagonist has, as a young boy, while staring at a cat’s eye marble. The film is atomospheric, intense, visually pleasing in the extreme and experimental.

If you didn’t notice already, it’s also Korean.

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The future of anime (is bleak?)

Will the people inspired to create the anime of tomorrow want to create another K-ON? Or another Cowboy Bebop?

If you haven’t already, I urge you to read this recent discussion with anime “storywriter” Dai Sato. He’s pissed off with the current state of anime and you should care because he created Eureka Seven and Ergo Proxy, as well as contributing to, amongst others, Cowboy Bebop, Samurai Champloo, Wolf’s Rain and Ghost in the Shell: Stand Alone Complex.

Sato‘s complaints hone in on two separate areas, the first of which concerns how the production of anime is being increasingly out-sourced to cheap labour in neighbouring Asian countries, but more fascinating to me are his latter comments on the quality of story-telling in anime (or, indeed, the lack there-of.)

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