It’s fair to say that, critically, 2011 was a poor year for Noitamina and (with Guilty Crown in tow) is currently at its lowest ebb. It’s now suffering from an identity crisis, no longer the bastion of josei anime it once was. Chihayafuru is a good example of what’s meant by that; a series that would be a shoe-in for the old Noitamina, but that now, especially in comparison to Guilty Crown, just underlines the confusion one feels about its current state.
There’s a few different tactics one can employ when approaching a new season of anime. You can either jump straight in during the first week or wait a while longer for the dust to settle; neither choice is perfect, but for this season at least, I decided to wait for 3 episodes to be released before getting my hands dirty with any new series.
If 3 episodes seems an arbitrary amount, that’s because it is. My only logic here is that since I want a decently informed opinion on anime, 3 episodes are better than 1. Any given episode of a series can be misleading, but 3 are more likely to betray a consistent sense of story-telling and quality. Alas, they also take more time to watch, but for the most part, I enjoy watching anime, so that’s not such a drag!
(I say for the most part because Guilty Crown proved so atrocious that I had to quit barely 5 minutes into the 3rd episode amidst a growing sense of vertigo. So, this is what passes for noitaminA now?)
Even whilst it was airing, Astro Fighter Sunred seemed like a pretty obscure series. Indeed, I often felt like I was one of the few people watching it. It’s a hard sell, I guess, because it’s not only a visibly low budget production, but also a parody of Japan’s sentai genre. Apparently people don’t watch parodies of genres they are unfamiliar with, but since I’ve never seen an authentic Japanese sentai series (all of my experience with it consists of a brief (albeit passionate) fling with none other than Power Rangers,) I’m hardly an expert either! Basically, let’s just get this straight right now: ignoring it because you know nothing about sentai is no god damn excuse.
If there’s one thing I’ve learned about anime over the past year, it’s that these Anime no Chikara projects start out strong, only to have me lose interest after four episodes.
When faced with the latest offering in the project, Occult Academy, I was determined not to be sucked in. I would watch it, but the cool-looking opening wouldn’t sway me, nor would the conversation with the cab driver in its opening minutes pique my interest. I was a woman not scorned, but bored – and I would not have it happen again. I sat on my throne of good taste, and prepared to get back to waxing poetic about The Tatami Galaxy.
Then the female lead decked her father’s corpse with a chair, wrestler-style, and all of a sudden, I was more than willing to give things a second chance.
Continue reading “Low-brow good times [Occult Academy first impressions]”
Watching anime for a long time (I’m talking years, really,) one can fall into certain patterns of viewing. I’ve grown accustomed to knowing what I like, and what I don’t, and picking the anime I watch according to my own tastes. There’s nothing wrong with this, it fundamentally makes sense, but it also leads one to miss out on certain shows that don’t immediately conform to my personal set of ‘requirements’; not every series is as easy to dismiss as I would like to believe (thank god,) therefore, I have devised a cunning plan.
At the moment, I’m probably more satisfied with the anime I’m following than I have been for a long time. Whenever a new season begins there’s always the temptation to try to see as much as possible, particularly as an anime blogger with the self-inflicted responsibility to talk about this stuff ad nauseum, but for the autumn at least, I resolved to take things at a slightly slower pace.
The truth is that I’m not good at following anime week-in, week-out anyway, and quite frankly, I’d much rather enjoy the anime I’m watching than to make some token effort just to keep up with everyone else. There’s definitely some new series that I’m really itching to see, but it can all wait until it’s finished.
Well, there is but one exception. I mentioned before that I’m watching Trapeze (also known as Kuchu Buranko.)
Here is a fair warning; if you have issues with self-loathing, save yourself the agony and don’t watch Otaku no Video. It will depress you.
‘Mockumentary’ Otaku no Video is one of those anime that, even within the anime community itself, is fairly obscure, but every now and then, someone will reference it, often as a comparison to nu-otaku champion Genshiken; for example, the first time I heard about it was when Anime World Order posted a review back in 2006, and considering it was created by animation studio Gainax in 1991, that fans are still talking about it some 15+ years later is surely a good sign, right? Indeed. Here is a fair warning; if you have issues with self-loathing, save yourself the agony and don’t watch Otaku no Video. It will depress you.
As alluded to above, Otaku no Video is a mockumentary of otaku culture. Pasted inside a Genshiken-style anime about a bunch of geeks coming together through their passions for all things, well, geeky is a series of painfully realistic (live action) interviews with real Japanese otaku, all of whom are middle-aged men. Its Wikipedia article suggests that while the anime segment was intended to emphasize the more positive aspects of Japan’s geek fandom (like comradery and friendship), the live action interviews depict the otaku’s lonely reality; several of the interviewees were Gainax employees at the time (though, to protect their identities, their names and voices are changed, while their faces are either unseen or blurred), and because this whole production was helmed by Gainax themselves, their deft, autobiographical understanding of “the truth” cuts right to the bone, so much so this isn’t as much a satirical comedy as a scientific study of the otaku sub-species. They even interview an American anime fan. It’s all in good fun, but a touch evocative too.
One interview in-particular struck me as incredibly depressing; this otaku, sitting in a darkened room, specialises in pornography, and to work around the Japanese government’s censorship of genitalia (they pixelate those areas), he has adapted a pair of glasses to decode the image. It’s just shocking to see that this guy has such talent for electronics, yet uses it in pursuit of… masturbation. They actually show him ‘pulling one off’ by the way! Another interviewee is hunched over his small computer screen, drawing nude images of a character that looks a lot like Noriko from Gunbuster. Again, the art itself is technically brilliant, but it remains a self-fellating fantasy. They ask him “how do you take care of your sexual needs?” Otaku responds “Well, I like computer games.”
The anime itself is up-beat and fun in a style that’s very reminiscent of the likes of Genshiken. One scene I really liked involves fans queuing up for the late-night theatrical premiere of NausicaÃƒÂ¤ of the Valley of the Wind. A drunk guy, probably just kicked out of a local bar, passes by them in the street and tries to work out why they are all so excited about seeing a “cartoon”, they respond that they aren’t waiting for a “cartoon”, but “animation” (Hayao Miyazaki‘s big break-through, no less). And I agree – there is totally a difference between cartoons and anime.
You know, Otaku no Video is surely worth watching, just don’t be expecting a romanticisation of otaku culture. It swings from pathetic to funny to nostalgic in a matter of minutes and as long as you’re prepared for some soul-destroying satire, it’s a really ‘interesting’ watch.