It’s been a long time coming, but I’ve finally had a moment to sit down with the Mushishi manga. I say a long time coming because I was the most ardent of fans during the anime’s original airing. The 2006 anime holds a special place in my heart. Between it and Eureka SeveN, my faith in quality anime was restored. I could’ve been the typical anime fan, who gives up when they hit some form of adulthood (I graduated high school in 2006,) but because of Mushishi I persisted, and am now the ultra-nerdy woman you see.
And it’s with that sentiment that I let myself sink into the green world of Mushishi once more.
Continue reading “The wonderous parts of the world”
I started reading Shingeki no Kyojin because ‘giants attacking mankind’s last city’ sounded really cool.
Apparently, Shingeki no Kyojin can be translated to ‘Advancing Giants’. It’s a new-ish, still on-going manga (began serialisation in 2009) that I started reading at the weekend. In it, humanity has been brought to the brink of extinction by an unstoppable wave of man-eating giants. Where did they come from? Nobody knows! And why do they eat only humans? Again, nobody knows! The giants don’t feed on us for sustinance, they do it because they can!
Mankind somehow survives by sealing itself within a city, surrounded by 50 metre-high walls to keep everything else out. 100 years later, it’s an era of relative peace, but suddenly, this guy appears… More than double the size of any giant ever seen before, he (literally) kicks a hole in the city’s previously impregnable defences and unleashes the horrors outside waiting to get in.
And so, the real story of (the award-winning) Shingeki no Kyojin begins.
Continue reading “Eaten by giants!!”
The Japanese economy is currently in the middle of a huge transformation. A generation ago, a Japanese person could finish school and seamlessly transition into a company job. The job might have grueling hours, but in return it offered lifetime employment at a good wage. Japanese men sacrificed their time with their families so that they could reliably provide for their families. Fast forward to today: production has shifted to China, Japan has endured a period of low economic growth and few jobs promising lifetime employment exist. Young people in Japan face an uncertain future as they fight for jobs that promise temporary employment at best. [C] Control styles itself as a show about economics that focuses on the big issues of the economic future for Japanese youth. Whether it can address those questions successfully, even as it spends much of its time on fights between monsters, remains to be seen.
As any right thinking English gentlemen will tell you, tea is what our great British Empire was built upon and, well, most of what I knew about Hyouge Mono before it aired was that it somehow involved tea.
Hyouge Mono, who would’ve known? Koichi Mashimo is regarded about as highly for his directing prowess as Bee Train are for their animation. Which is to say, not very highly at all, so I can’t really blame you for glazing over a late-to-the-party series like this, but as any right thinking English gentlemen will tell you, tea is what our great British Empire was built upon and, well, most of what I knew about Hyouge Mono before it aired was that it somehow involved tea. Colour me curious, then, and lo and behold, word begins to trickle down that Hyouge Mono might actually be worth watching after all.
Firstly what’s important to note is that this is a series produced and broadcast by Japan’s BBC-equivalent NHK, bringing with it a higher profile than Bee Train’s typical fare and, therefore, probably more money for animation. It shows, as this is easily the best animated series I’ve seen from them.
Continue reading “Middle-aged men drinking tea”