A missed opportunity: Jormungand

I really wanted to like Jormungand. It’s a series about illegal arms dealers and child soldiers, which is not exactly typical fare for anime and sounds interesting. Comparisons to 2006′s fantastic Black Lagoon abound, then, but after 3 episodes, I’m giving up.

I realised I had to stop half-way through episode 3, when child soldier Jonah runs straight at a couple of renowned assassins without cover. Both sides fire at each other from point-blank range, yet manage to miss. Seconds later, the same assassins hit some generic snipers perched on the roof of a building. That’s the kind of thing I expect to see in a Bee Train anime; I could even take it in Black Lagoon, but for Jormungand, it was the final straw.

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Being swept away

I have many a faint and fond memory of Eureka Seven, but wasn’t sure how to feel about news of its sequel. It ended with a quite profound sense of finality, after all. Everything that needed to be said, was, and underscored with probably the finest insert song ever used in anime, too. I’m using a lot of absolutes in this post because that’s just how I feel about Eureka Seven. Holland, Talho, Dai Sato, Supercar and Denki Groove. It was a great series.

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Sexuality in anime: Mine Fujiko and Faye Valentine

Like any potentially great anime, the new Lupin the Third: Mine Fujiko to Iu Onna has given us much to talk about already. It’s a beautifully animated, adult series the like of which we haven’t seen in TV anime for a while.

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Hot Topic Meets Anime in Ergo Proxy

Remember when goth, and by extension Hot Topic, reigned supreme? Ergo Proxy is basically an anime peopled by fans of Hot Topic. The setting is gritty, and the main character wears black outfits, steal tipped boots and heavy mascara. The color palette skews towards grey and black, and even when the show uses other colors, they look muted. In the years since Ergo Proxy’s release, goth fans have moved toward the sparkly vampires in Twilight. That’s a shame because I found the ugly, dirty world of Ergo Proxy compelling. The show did not live up to the promise of its premise, but I much prefer the version of goth culture it embraces to the more recent version from Twilight.

Re-L is incapable of smiling

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Giving Ghost in the Shell 2: Innocence a second chance

When I first saw Ghost in the Shell 2: Innocence I left the screening unimpressed. At the time, it felt like a confusing trip through a philosophical morass. I disliked the Major’s lack of screen time as I loved her central role in the associated TV series. Still, when I heard that Bandai planned to stop releasing material, I knew I should pick up the Ghost in the Shell movies I did not have, including Innocence. Shortly thereafter I had a long trip to take and decided to give Innocence another look.

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The state of Noitamina and Thermae Romae

It’s fair to say that, critically, 2011 was a poor year for Noitamina and (with Guilty Crown in tow) is currently at its lowest ebb. It’s now suffering from an identity crisis, no longer the bastion of josei anime it once was. Chihayafuru is a good example of what’s meant by that; a series that would be a shoe-in for the old Noitamina, but that now, especially in comparison to Guilty Crown, just underlines the confusion one feels about its current state.

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Returning, being a superficial anime fan and Rinne no Lagrange

It’s been a while since my last post. Around a month, in fact. Through-out February, I took something of a break from anime. I’ve been keeping up with One Piece, but that’s about it. This wasn’t a planned thing, either. I just stopped watching anime.

Winter hasn’t helped, either. Although a notoriously poor time for anime anyway, there’s usually something to keep me ticking over until April. Last year, it was Madoka, this year so far, there’s simply nothing of that calibre (a high bar, admittedly.) I’m vaguely interested in Nisemonogatari, but until I’ve seen Bakemongatari, I’m stuck.

All I’ve been left with, then, is long-shots. I’ve heard a lot about how Mouretsu Pirates is decent, but nothing about it so far has caught my eye. And with Noitamina continuing to shit the bed, that was me done with anime in February.

I’m sitting here today, though, intending to write about Rinne no Lagrange. Not exactly the season’s critical darling, but then, I’m quite liking it.

So, old friend, let’s get started, shall we?

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Shadow of the Colossus

Unless you count my yearly flings with Football Manager, I’ve never been much of a gamer. Even still, I bought myself a Playstation 3 in December.

Stepping into today’s world of consoles is intimidating at first. I’d been divorced from the culture for nearly a decade and knowing how deeply some are into it, it’s easy to get cold feet.

I had to try, though. I wanted to play Shadow of the Colossus.

After stumbling over a review of it one day at work, I made the impulsive (and, obviously, expensive) decision there and then to buy the game so as to have a proper look.

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But I’ll be Peter Pan forever: To Aru Majutsu no Index and I

It’s a common story. A Saturday night, no plans. What do I do? Seek out a new anime to watch, of course.

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Madlax aka What’s wrong with the anime industry

Young women with gun skills? Check. Mysterious organization that runs the world? Check. Quasi-religious mysticism? Check. Noir only lasted one season, but if you started watching Madlax and thought it was Noir Season 2 I wouldn’t blame you. Madlax isn’t a complete copy of Noir, it does tread new ground after about 20 episodes or so. And the new material is innovative in its own way. What ultimately holds it back, what has held many other shows back over time, is that it still feels too much like a rehash of what came before, rather than something fresh and entertaining.

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Don’t forget the side characters

In alot of ways, what keeps a longer manga engaging isn’t its main characters, but the side characters. Though our initial emotional investments as readers are in the main characters, the supporting cast and their links with those main characters are what keeps the story fresh.

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Because you need a little violence in your life: Dr. Mohiro Kitoh’s fabulous depression

One thing we may deduce about author Mohiro Kitoh from Bokurano and Narutaru is that he probably had a few bad experiences growing up.

It’s otherwise very difficult to understand why his stories about children are quite so fucked-up. Case in post, Narutaru, of which I just finished watching the anime adaptation.

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Does Bandai know something Netflix doesn’t?

About a week ago I posted that 2011, for all its problems, was a stable year for anime. It turns out that stability was short lived. In an interview with Justin Sevakis and Chris Macdonald on AnimeNewsNetwork, Bandai Entertainment President and CEO Ken Iyadomi announced Bandai’s decision to stop licensing and releasing shows. Some bloggers (including Charlie Maib from Kotaku via Japanator) have suggested that piracy killed Bandai. But if you look at what Iyadomi said, I think it’s more likely that Bandai Japan is to blame. And not blame in a bad way, blame in the sense that Bandai Japan (full name: Namco Bandai Holdings) made a rational business decision. It decided, maybe prematurely, to protect its profits and let mainstream fans get anime digitally.

We'll miss you Bandai

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Anime Trends 2011: At least no one (of note) went bankrupt

All told, 2011 was a stable year in the anime business. No anime company of any worth (so 4Kids doesn’t count) went bankrupt, although over in the manga world TokyoPop bit the bullet. The tsunami and resulting nuclear incident will unfortunately overshadow anything else that happened with anime this year. While there were no dramatic changes in the industry, a number of trends began or picked up steam in 2011. It is these trends, more than any anime production, that will be this year’s industry legacy.

Trend #1: Lawsuits

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Lost Along the Way from Utena to Star Driver

bateszi has already ruminated on the connection between Star Driver and Utena and while I’m a bit late to the party, I wanted to add my own reflections. Right now I’m watching Utena for the first time while finishing Star Driver on Crunchyroll. Fortuitously, I just finished Episode 4 of Utena a few hours after watching Episode 21 of Star Driver. The scenes below are from these episodes.

First in Utena:

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Darker than Black is the new black

Darker than Black is an enigma. The more I watch it, the less I understand how I feel about it. I wanted to write an article extolling its virtues, for example its deep characters and beautiful art. Then I went back and re-watched season 1 and did a double take, was this the same show I remembered? It was like I was back in the 90s when it was okay for a main character to waste half an episode being introspective instead of advancing the plot. I’d still recommend that people watch it, but be aware that this isn’t the second coming of Cowboy Bebop.

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An odyssey in Haruhi Suzumiya

I sat through all of Endless Eight, or rather, I nearly did. I fully intended to, which is the important thing.

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On Wolf’s Rain

I first watched Wolf’s Rain in 2003, just as I was beginning to ramp up my interest in anime. I remember a few things about it: being absolutely traumatised by its ending and being spell-bound by Yoko Kanno’s music. Following on from the similarly fondly remembered RahXephon, it made a fan of Studio Bones out of me, too. Which is to say, Wolf’s Rain became one of my favourites and just last week, nearly 10 years on(!), I finally re-watched it.

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