Bateszi Anime Blog

Anime fan forever

Sora no Woto: apocalypse moé

Sora no Woto: Moe at the end of the world

I’m not an admirer of the moé aesthetic, so my initial response to Sora no Woto was one of indifference; just more moé, I thought; not interested. That’s always my default reaction to a series like this, but the thing is, life’s not that simple.

Genre is a superficial excuse; no single story is the same as another, and despite my misgivings, Sora no Woto was beginning to look more and more interesting with each passing week. Well, inevitably, last night I caved and watched its first three episodes.

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The weight of time in anime and manga

Kamina and Simon from Gurren Lagann; no idea who drew this, sorry!

I consume a lot of anime in a purely superficial way; I watch it and enjoy it, but then forget about it. My favourites are those that burrow deeply into the subconscious, with certain moments and images able to rise back into mind at any given time; often, years after I’ve seen them, but why? Why is it that these particular stories have captured my heart and not others?

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The tide of violence

Thorfinn the Viking

I’ve read only 26 chapters of Vinland Saga so far but its quality is such that I have to admit it’s already one of my favourites.

Thorfinn is the main character, an Icelandic warrior joined with a band of Viking mercenaries sailing the seas of Europe and sacking the villages and cities of Norman France and England. His talent as a fighter is chilling, if just because he’s still just a small boy!

This had me hooked straight away. You have this kid (a rag-doll, really) fighting in a bunch of gruesome, heavy battles, cutting the throats of soldiers and decapitating their Captains for the rewards.

It doesn’t shy away from the violence or cruelty of the infamous era of the Vikings, but there’s more to it than just brutality.

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Azure paler than the sky

Jury's duel

Revolutionary Girl Utena is one of the most inscrutable anime I’ve seen. It’s like half of me is struggling to keep up with what I’m seeing, while the other, at some base level, just instinctively feels it and understands. I suppose you could call this confusion. Or schizophrenia. Whatever. Episode 29 is my favourite of the series so far, and definitely the one that best represents what I love about it.

Jury is on the brink of defeating Utena in their duel, all she need do is finish her opponent and be done with it, but she gives up instead; the sky grays, the rain falls and the match is over, but why? Why, having fought so hard, did she just give up?

Utena is all about this kind of theatrical epiphany, a duel of adolescence where every emotional facade is shattered, emotive in the way that the landscape shifts with mood, attaching life-changing significance to every word spoken and movement made. It’s apocalyptic romance.

For a while I tried to write an interpretation of Jury’s duel, but I’m not sure that’s what I want to do anymore. It’s like trying to put into words a beautiful painting, words just don’t capture it. Utena remains as inscrutable as ever, but it feels special. You just have to see it. That’s the best I can do.

See You Chinese Electric Batman

This reminds me of Mouryou no Hako!

It’s interesting how Darker than Black never explained what has ’sealed’ the Earth’s sky, caused Hell and Heaven’s Gate to appear and triggered the world’s first generation of contractors; and quite frankly, if it turns out to be aliens from the Moon, I’d rather not know, but my point is, ambiguity is exciting, and yet like everyone else watching Ryuusei no Gemini, I was confused by its last episode, and that’s not necessarily a bad thing either.

Immediately after seeing it, for the first time in years, I went looking for interpretations on every forum and blog I could find. Did the lack of a ‘conventional’ end ruin the series, or merely add to its mystique? Does the ambiguity equate to bad writing, or is it intentional?

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The harsh beauty of Tsutomu Nihei’s Biomega

Looking out on Tsutomu Nihei's new world

Happy new year, everyone! Time sure flies and it’s now looking likely that this blog will live to see it’s fourth anniversary on the 4th of March, which is just… surreal!

This time of year also provides me with the rare opportunity to immerse in some new worlds of fiction. Last year I fell under the spell of Legend of the Galactic Heroes, but this time it was to be Tsutomu Nihei and his six volume Biomega that caught my eye.

Nihei is probably my favourite mangaka. It’s not like I’ve read a lot of manga, but this guy has held my admiration for a long time, ever since I stumbled over his first series, Blame!, where the dialogue is sparse, action is rapid and landscapes are wide, sprawling stretches of textured emptiness.

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The snowy nights and racing trains of Fullmetal Alchemist: Brotherhood

Scar and Kimbley face off

Choosing the best anime of 2009 is no contest for me, Fullmetal Alchemist: Brotherhood wins it hands down every time, but we’re past any stabs I could make at being objective about this, the show has everything I look for in anime, yet still manages to keep getting better, so much so that earlier today I even started comparing it to Legend of the Galactic Heroes! I mean, what the hell?! All this was again brought to the surface by episodes 32 and 33.

Firstly there is the unending expansion of mangaka Hiromu Arakawa’s story into newer countries and climates. She achieves the sheer sense of distance usually exclusive to great fantasy, of creating a living, breathing world, which is why I’m now comparing it to Legend of the Galactic Heroes, because even though it’s now over half way through, FMA continues to introduce exciting new characters into the mix.

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Injections of fun / Trapeze and episodic anime

"noitaminA rocks!"

At the moment, I’m probably more satisfied with the anime I’m following than I have been for a long time. Whenever a new season begins there’s always the temptation to try to see as much as possible, particularly as an anime blogger with the self-inflicted responsibility to talk about this stuff ad nauseum, but for the autumn at least, I resolved to take things at a slightly slower pace.

The truth is that I’m not good at following anime week-in, week-out anyway, and quite frankly, I’d much rather enjoy the anime I’m watching than to make some token effort just to keep up with everyone else. There’s definitely some new series that I’m really itching to see, but it can all wait until it’s finished.

Well, there is but one exception. I mentioned before that I’m watching Trapeze (also known as Kuchu Buranko.)

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Trying to get back into anime movies / Sword of the Stranger

Action from Sword of the Stranger

Writing this now is probably a bit old hat, but I finally got around to watching Sword of the Stranger at the weekend!

Why the delay? I’ve developed a strained relationship with anime movies; having become so used to watching anime in the 20-min TV format, the mere suggestion of watching anything even slightly longer than normal isn’t attractive at all! I might have been institutionalized by TV!

As such, I’ve avoided many of the most important releases of recent years. I still haven’t seen Mind Game, The Sky Crawlers and Howl’s Moving Castle, and I’m embarrassed to admit I still haven’t seen Paprika, either.

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Timelessness and anime / Stand Alone Complex 2nd GIG

Major Kusanagi

In the four weeks since this blog was last updated, I’ve seen at least 80 episodes of anime! Not bad, eh? But to write anything of decent length, more than ever, I need to feel like what I’m writing about is really worth your time.

That isn’t to say everything airing right now is poor, but how much of it is good enough to be remembered in years to come, particularly outside of their respective genres?

For example, I love every minute of Cross Game, while the recently finished Shin Mazinger Shougeki! Z-Hen was fun and exciting, but what else is there that’s left to say about them? The former is sports anime, the latter is super-robot/mecha; there is literally nothing left to add that hasn’t already been written a million times over. If you’ve seen Touch, you’ve basically seen Cross Game.

Anime sticks so rigidly to its genre tropes that after a few years of watching, it feels ever so slightly repetitive; not that these series aren’t fun to watch, because they are, but to think about? To write about? Not so much. Not after 3 years of blogging.

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When all that’s left is dust

Boogiepop Phantom

When I think about Boogiepop Phantom, I’m also reminded of other recent Madhouse anime, like Shigurui and Casshern Sins. Each has a strange aesthetic; seductive yet tinged by an under-lying sense of sadness and desolation.

It would be easy to categorise them as dark and depressing, but they are more complex than that. It’s not horror merely for the sake of mindless chills; it’s horror to serve a purpose, to weave a spell. Boogiepop Phantom is disorientating, Shigurui is grotesque and Casshern Sins is desolate, but each conjures an atmosphere potent enough to provoke difficult questions.

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Why Boogiepop? You wouldn’t willingly escape into a nightmare, right?

Haunting darkness in Boogiepop Phantom

The coolest thing about Boogiepop Phantom is that it’s just really fucked up. Too often in anime are teenagers romanticised. Everything’s so sweet, so melodramatic; no permanent damage. It’s just easier to watch something like Toradora, where everyone’s so cheerful, ready to communicate and fix their problems.

Nothing festers in your typical anime high-school; feelings, conflicts are all out in the open, ready to be tended. It’s false bullshit, but we watch it because it’s happy and safe, because there’s always an answer, and the characters will always turn out okay, smiling in the end. We know it’s coming and that’s fine, but it lacks an edge; seems to be more like a dream than reality.

And you wouldn’t willingly escape into a nightmare, right?

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Naruto Shippuuden episode 82 is a masterpiece

image047

After all these years, I still love watching Naruto. I’ll place it on hiatus every now and then, but it still is, and always will be, one of my biggest favourites. This past weekend marked the end of my latest break from Shippuuden, but already, here I am again; writing away. I couldn’t let this feeling pass without trying to convey it, this sense of being an anime fan and seeing something so great it can’t be contained by just me alone; I have to share it with you.

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Bee Train’s bullet ballet Phantom is really good

Welcome

Bee Train doesn’t exactly have the best of reputations, be it their bias for girls with guns or their notoriously poor production values, fact is their work polarises opinion and attracts its fair share of detractors.

I’ve seen neither Noir nor Madlax, was horrified by the low budget vibe I got from Blade of the Immortal and nearly quit watching anime altogether after sitting through the first episode of El Cazador de la Bruja. I know many others share these same ‘concerns’, so I’m going to write something now that may shock and appall many:

Bee Train’s latest series, Phantom, is really good.

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Fullmetal Alchemist is overlooked as horror

Ed, after doing a bit of grave-digging

Something that ‘outsiders’ probably don’t realise about Fullmetal Alchemist is just how grotesque and disturbing it can be for mainstream shonen; it has never been a story that shys away from death, even when the victims are cute little girls and their pet dogs!

This lurched back into focus during episode 20 of Brotherhood, when Ed, in-between bouts of throwing up, exhumes the remains of what was supposed to be his half-transmuted mother. While the act of digging up a long-buried grave is, in itself, a stomach-turning thing to do, after Ed looks at the remains, a plot twist even more disturbing is revealed, that the body they pulled back from ‘the other side’ wasn’t their mother’s at all!

Who’s body was it? And why did it appear in place of his mother’s? The story continues to raise these dark questions, and with no comforting, morally-sound answer in sight, I really think that FMA is overlooked as horror. Scenes like these, as well as the twisted fate of characters like Martel, are as cruel and disturbing as anything I’ve seen in anime.

The quietness of Cross Game

Kou, Cross Game

When writing about Fullmetal Alchemist: Brotherhood, I noted that I think it’s great because it has moments of exciting, fluid animation. I realise that’s a fairly superficial thing to say, but I think it’s true, too, and now, as if to immediately contradict myself, I’m going to write about Cross Game.

This doesn’t have great animation, but it’s probably going to be one of my favourite series of 2009, because a delightful story is always delightful, regardless of medium, and because I’m really into these characters. This has nothing to do with being swept up by some soapy drama or romance or whatever, rather, I like it because it’s understated.

Cross Game is a quiet series, so quiet you can hear the wind breezing through fallen leaves and hear the snow crunching underfoot. At its centre is Kou and Aoba; there is no blurting out of their feelings or forced confessions of love, everything remains unsaid, unrealised, with just a moment of hesitation here and a shy glance there.

Their feelings are protected, hidden even from themselves. They have a determination about them, yet seem introspective; they remember things, tiny, stupid, important, vital things, like we all do, before clamming up again. It’s sweet to watch them blunder through uncomfortable situations, but reassuring, too. I think we’ve all been there, spent a lot of time observing people and watched as the days draw into night. Life can be so understated, and such is Cross Game, it’s so quiet.

A love letter to FMA: Brotherhood #19 and why I love anime

Lust's final curtain

I still read my fair share of blogs and forums, so I had something of an inkling that this episode of Brotherhood was going to be quite special, but even still, I loved it to pieces, and once the credits were finally rolling, all I could think is that this was the exact moment that Brotherhood finally stepped out from its predecessor’s shadow and became great anime in it’s own right.

Ah, it’s been a long road. Between the die-hard fans of the manga and lovers of the first series, Brotherhood was always going to face a long and hard battle to win over new admirers, but now there is absolutely no excuse to not be watching this series. I won’t accept it. Episode 19 was perfect.

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Island manga: an isolated town enclosed by huge, unscalable walls…

An image of the Island

The island is an isolated town enclosed by huge, unscalable walls, where the outside world is a mystery that no-one even has laid eyes on for 400 years. As its culture dies a slow death, the town’s people have forgotten how to read and write, but the children still dream of escaping, wondering what they might see on the other side, where something as vast -and as salty- as the sea seems impossible to imagine, because their town, their world, is so small, but while the children still run and laugh and dream, the adults are altogether more melancholy, long since resigned to living their lives within the shadows of the unscalable walls.

Island is a very short, one-shot manga that spans only 45 pages, yet it has a vivid and brilliant premise. The walls loom large over everything, an unrelenting reminder of what it means to live life within boundaries and without adventure, where it’s easy to slip into a routine, to work year after year at the same place, to sit in the same stupid chair every day, all without question or concern. It’s about having the courage to take that first step, not knowing what you might find on the other side, but going there anyway, because it’s fun and new and exciting.